So, having been off for two weeks, my colleagues were amazed to find that I had not watched any daytime television. So, how did I achieve this?
Well, aside from a few non-physical projects, it has involved a lot of films in one format or another. I treated myself to a trip to the cinema, have my own collection of DVDs and Blurays, and digital copies. And all of them vary in quality.
We are being convinced by movie studios that we need quality. We have to have Bluray in full 1080p high-definition. And yet the technologists are going the opposite way, finding smaller and more portable ways in which to consume our media. So my little netbook doesn't even have a diskdrive, let alone one compatible of playing Blurays, and my smartphone can play pretty much any codec on a 5" screen, which is only 1/100th the size of some domestic screens these days.
So, what should I do? Digital is the future, clearly. The idea that we are going to carry around vast boxes of discs when we can store hundreds of films on a 1tb hard drive just 3.5" wide means that unless physical can offer something other in competition it loses out on portability and convenience. But to what extent to I compromise on quality?
Yes I may be able to fit hundreds of films on my hard-drive on my home computer, but if I used a 'pure' codec I may only get a dozen on my netbook, and a single film may not fit on my smartphone. And why would I need it to? It's not as though I'm going to benefit hugely from full 1080p high definition on a screen that simply does not have that resolution. And that's before even considering whether the processing power of the devices can keep up.
Obviously the solution that the movie studios want you to take up is multiple format, particularly whilst 'format-shifting' in the UK is still illegal, meaning you would need to purchase each format again and again: fully lossless high definition discs with bonus content for my home computer and tv; with a lower resolution encoded digital format for my netbook, and an ultra-portable codec for my smartphone.
Yeah, that's not happening.
But it got me thinking about the degree to which we are making our own editorial decision. The producers and directors have gone to great lengths to ensure the quality is just how they want it in the same way as they have selected the shots. Would I sacrifice colour in the same way to save on a bit of diskspace? After all, people used to watch colour films on a black-and-white tv, but that was out of necessity rather than choice, particularly.
And music. I have to say that my ears are simply not sensitive enough to know the difference between a loss-less wav file, and a compressed mp3. But in the same way as my palate is not sensitive enough to taste all the spices in a dish, it does not mean the chef hasn't taken the time to mix and blend them, carefully (perhaps a little too carefully) creating a dish of presumably exquisite taste. But do we stop there? How about the artwork or the cover notes for the album? By buying the download we forgo these for the convenience of NOW, but it doesn't mean they are not an equal contribution to the product. Or does it? Afterall, if we just wanted artwork, we'd buy art?
And in the same way as technology continues with its inexorable progress, so choice doggedly persists. The reports of the death of vinyl were clearly very premature, and still to this day LPs and EPs are released, each with their own individual, very distinct crackle, interfering with the quality of the track. And yet still for many djs they are the weapon of choice, a medium - so it is argued - which offers greater control and versitility, albeit at the potential compromise of both quality AND portability.
And yes, I may be compressing and stripping the quality, but I am not changing the story, or the acting or the direction or the actual filming, I am still retaining the fundamentals of the film or music.
Aren't I?
Well, aside from a few non-physical projects, it has involved a lot of films in one format or another. I treated myself to a trip to the cinema, have my own collection of DVDs and Blurays, and digital copies. And all of them vary in quality.
We are being convinced by movie studios that we need quality. We have to have Bluray in full 1080p high-definition. And yet the technologists are going the opposite way, finding smaller and more portable ways in which to consume our media. So my little netbook doesn't even have a diskdrive, let alone one compatible of playing Blurays, and my smartphone can play pretty much any codec on a 5" screen, which is only 1/100th the size of some domestic screens these days.
So, what should I do? Digital is the future, clearly. The idea that we are going to carry around vast boxes of discs when we can store hundreds of films on a 1tb hard drive just 3.5" wide means that unless physical can offer something other in competition it loses out on portability and convenience. But to what extent to I compromise on quality?
Yes I may be able to fit hundreds of films on my hard-drive on my home computer, but if I used a 'pure' codec I may only get a dozen on my netbook, and a single film may not fit on my smartphone. And why would I need it to? It's not as though I'm going to benefit hugely from full 1080p high definition on a screen that simply does not have that resolution. And that's before even considering whether the processing power of the devices can keep up.
Obviously the solution that the movie studios want you to take up is multiple format, particularly whilst 'format-shifting' in the UK is still illegal, meaning you would need to purchase each format again and again: fully lossless high definition discs with bonus content for my home computer and tv; with a lower resolution encoded digital format for my netbook, and an ultra-portable codec for my smartphone.
Yeah, that's not happening.
But it got me thinking about the degree to which we are making our own editorial decision. The producers and directors have gone to great lengths to ensure the quality is just how they want it in the same way as they have selected the shots. Would I sacrifice colour in the same way to save on a bit of diskspace? After all, people used to watch colour films on a black-and-white tv, but that was out of necessity rather than choice, particularly.
And music. I have to say that my ears are simply not sensitive enough to know the difference between a loss-less wav file, and a compressed mp3. But in the same way as my palate is not sensitive enough to taste all the spices in a dish, it does not mean the chef hasn't taken the time to mix and blend them, carefully (perhaps a little too carefully) creating a dish of presumably exquisite taste. But do we stop there? How about the artwork or the cover notes for the album? By buying the download we forgo these for the convenience of NOW, but it doesn't mean they are not an equal contribution to the product. Or does it? Afterall, if we just wanted artwork, we'd buy art?
And in the same way as technology continues with its inexorable progress, so choice doggedly persists. The reports of the death of vinyl were clearly very premature, and still to this day LPs and EPs are released, each with their own individual, very distinct crackle, interfering with the quality of the track. And yet still for many djs they are the weapon of choice, a medium - so it is argued - which offers greater control and versitility, albeit at the potential compromise of both quality AND portability.
And yes, I may be compressing and stripping the quality, but I am not changing the story, or the acting or the direction or the actual filming, I am still retaining the fundamentals of the film or music.
Aren't I?